New Talent
( *names have been changed) There’s a movie scene that’s been stuck in my head this week. It’s the part from Baz Luhrman’s “Moulin Rouge” when Jim Broadbent’s character is promising Nicole Kidman’s “A real show, in a real theater, with a real audience. And you'll be... ” Kidman looks straight into the camera with her sparkling blue eyes and breathes: “A real actress.” I have been cast in a professional production at a premier contemporary theater in the DePaul neighborhood. The director is a SAG member who’s done shows all over the city and has a national ESPN commercial on the air right now. (He was also my teacher for an acting class I took a few months ago, and that’s how I got invited to his audition.) Actors get a stipend (not a salary or an hourly wage), but I told my friends and family that the amount of money wasn’t the point. The fact that, for the next few months, I can say I am a working actress in Chicago is worth more to me than a whole year's sa